King Arthur and Queen Guinevere Guardian Birds of relics

And so the magic begins! …The Guardian birds have risen from their hidden hollows beneath the Tor . The precious relics tightly carried in their claws, to a place of safety in the Abbey, where pilgrims and folk from the kingdom of Somerset and beyond can gaze upon them in wonder.

I chose to use the double headed eagle as the guardians of the relics. In the abbey double headed eagles are depicted on  medieval terracotta tiles. They were a heraldic emblem, believed to be the coat of arms of Richard, the Earl of Cornwall as King of the Romans. After further research about the bird I found out that in ancient middle eastern cultures the bird was a protective and magical character, while later in the Byzantine period in Greece, Venice and Russia it became an emblem of the empire. Then it was adopted by the patriarch as a symbol of the Orthodox church.

 

 

 

 

 

 

 

 

The tiles with yellowing designs are quite worn but you can still see the double headed eagles.

As promised here are the Guardian birds of King Arthur and Queen Guinevere’s relics. The first two of six birds…

Guardian bird of King Arthur’s relics

KIng Arthur Guardian bird of relics (cement structure, gilded edges and back of wings, stained glass, hand gilded metal leaf glass, Vintage rhinestones, shell rounds, hand painted eyes, glass beads, wire)

 

The heart of the double-headed eagle bears the sword hilt, Excalibur, to represent King Arthur.

 

Guardian bird of Queen Guinevere’s relics

 

Queen Guinevere guardian bird of relics (cement structure with gilded wings edges and backs, metal beads, shell rounds, acrylic and glass gemstones, stained glass, hand gilded metal leaf glass, some pieces with gilded celtic designs, millefiori, hand painted eyes)

The heart of the double-headed eagle bears a crown to represent Queen Guinevere.

I used letraset for the words on the ribbon … haven’t used that since the early 80’s!

The relics I have made are mostly playful analogies, comparing the Catholic tradition of the veneration of relics with modern day trends and culture and of souvenir gifts.

If you want to know more about the bone and the ribbon read the last post!

You can see these plus the guardian birds of relics of 3 saints and a living legend rock star and more at Glastonbury Abbey’s exhibition Traces Revealed which continues until January 28th 2018.

🙂

 

 

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The Relics of King Arthur and Queen Guinevere

As I mentioned in the last post I will be posting fairly regularly in the next few weeks to show you my work for the Glastonbury Abbey exhibition “Traces Revealed”

The inspiration for the pieces I made came from the abbey’s precious relics that were once in abundance in medieval times but then lost or destroyed by the Abbey fire and the reformation. Whilst other abbeys successfully moved their relics to safe houses during the reformation, I found very little evidence or traces about the whereabouts of the Glastonbury Abbey relics, so I wondered if the monks had hidden them to keep them safe. Perhaps in hidden hollows under the Tor.
6 magical birds (double headed eagles) keep guard as ‘guardians of the relics.’ They guard King Arthur and Queen Guinevere’s relics, 3 of the abbey’s saint’s relics and a living legend ‘rock star’s’ relics!

The relics are mostly playful analogies, comparing the Catholic tradition of the veneration of relics with modern day trends and the culture of souvenir gifts.

King Arthur’s Relics

In 1191 the monks discovered King Arthur’s and Queen Guinevere’s skeletons buried in the ancient cemetery within Glastonbury Abbey . They knew it was King Arthur because they found a lead cross with writing on it in Latin. Translated it means ‘ Here lies buried the renowned King Arthur in the isle of Avalon’.

In other words …

(fimo clay, metal leaf)

The monks were quite surprised at the size of King Arthur’s bones, he was a real giant of a man. They noticed his thigh bone (femur is it?) was broken, presumably from his last battle before being laid to rest several hundred years ago in the cemetery. Of course it unmistakeably belonged to Arthur as they noticed his name was written on the bone just like the end of a gift shop stick of rock!

King Arthur’s bone (cement structure, gold leaf glass, hand-gilded glass, marble, stained glass, vintage glass tile, millefiori, gold lipped oyster shell)

underside of bone

 

Queen Guinevere’s relics

Then the monks picked up a tress of golden hair still attached to Queen Guinevere’s skull and it turned to dust.

Or did it??

Queen Guinevere’s hair (cement structure, hand gilded glass, gilded grout)

The monks made a black marble tomb for King Arthur’s and Queen Guinevere’s relics (there were various treasures amongst the bones which included the leaden cross, and four lions heads) and invited pilgrims to visit. It was a useful find at a time of impending impoverishment of the abbey.

….come back soon to see the Magical Guardian Bird of these relics ….

or visit the exhibition at Glastonbury Abbey which begins on Saturday 30th September and continues until January 28th 2018

🙂

 

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Red Pretty Maid birdbath

In a couple of weeks (9th – 11th June 2017), I’ll be showing my bird baths (see recent posts) and other bits and pieces at the English Country Garden Festival at the Bishops Palace in Wells.

I decided to add to my collection of Mary Mary Quite Contrary themed bird baths that I made last year and made another red “Pretty Maid” to replace the red one sold last year.

This one was made a little differently than the original one as I added a mix of glass nuggets, half cut glass marbles, milliefiori to the cut rounds of vintage glass tile in the centre.

I also commissioned some metal ‘stems’ to hold the baths that can be pushed firmly into the ground.

🙂

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