Do Swallows Eat Olives?

This commission for a private customer was a delight to make. My clients wanted a mosaic for their wall outside their house. After initial discussions by email and a site visit I made three drawings and they chose this one.

As my clients didn’t want very strong or bright colours I chose to use stained glass as I could choose colours that were not as bold as smalti but fresher than vitreous glass.

I was also able to use a fair amount of gold smalti. As the gold smalti was thicker than the stained glass I decided to make it indirect on plastic. It would need a fairly deep bed of cement adhesive to make a flat surface. The flat surface would make it easier to clean off any algae that might collect on it over the years.

Once the leaves and birds were complete I received my luscious order of gold!

There is always so much satisfaction when placing the last piece!

I used sand to stop the gaps so I could grout from the other side. Here you can also see the electrical cable flex I used as a temporary edge while I filled the mosaic with cement adhesive. (There’s always a use for broken things one day)

 

Thick bed of adhesive and levelling before pushing boards firmly on the top. (And piling on the weight to ensure a good hold)

I made a sandwich of light weight cement boards with adhesive in the middle (my partner called it a custard cream) not only for strength but also because the boards were in two halfs; the first layed horizontally and the second vertically.

However it was still very heavy!

After a few days drying it was turned over and the plastic pulled off.

The trunk was made as a separate piece.

Thought I’d learnt my lesson from the last one I made on plastic and I used a weaker pva glue than then, but it was still a devil to get clean.

Brushed out the sand and grouted.

And gazed at the gold…

I had some help with installing it on the wall.

Final touches glueing olives over the screws.

My two boys doing a few hours work for a change!!!

The Olive Tree (2.12m height x 1.20m wide) (stained glass, ceramic tile. marble, gold leaf smalti glass)

Details

 

One happy customer

🙂

One happy me

🙂

 

 

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Mosaic Odysseys Festival – from London to Athens to Mykonos

feeding-doves

Two weeks ago I returned from Athens from the Mosaic Odysseys exhibition which has now moved onto Mykonos. Being in Greece was an inspiring experience, I climbed the Acropolis and Lykavittos Hill and even though there were crowds of people around me, I still felt a connection with the ancient Greeks and I was in awe of the Greek Gods.  Spread out before me was the whole of Athens and I imagined what it must have been like all those years ago with temples and lodgings scattered about. One evening on top of Lykavittos Hill I watched a storm brewing, lightning bolts lit the sky reminding me I was in Zeus’ territory.

The exhibition was held in the Michael Cacoyannis Foundation, a modern light and spacious building with a theatre. Our exhibition was displayed on two floors.There were more works on show than there were in London. More pieces by the  Greek artists and lovely big photos of pieces that were sold in London (printed by Lydia Papadopoulou’s husband). So the whole exhibition was there in a sense.

On Friday 9th September we had the inauguration. The place was buzzing with people all night. New people were met and lots was said.

Michael Cacoyannis Foundation

Michael Cacoyannis Foundation

 

Inauguration of Mosaic Odysseys in Athens

Inauguration of Mosaic Odysseys in Athens

 

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Me with my doves

Me with my doves and photos of my works sold in London

 

Sunrise in Athens

Sunrise in Athens

 

View from the Acropolis

View from the Acropolis

Now the exhibition is in Mykonos until 30th September. Unfortunately I can’t be there as I am at Somerset Crafts having set up a temporary studio for the duration of Somerset Art Weeks.

mykonos-poster

The work looks wonderful in a magical setting. I wish I was there! You can see pictures on the Mosaic Odysseys facebook page.

I have been reassured by Artemis Klitsi, one of the Greek mosaic artists that they are taking great care of my doves although they had trouble the first night keeping them from flying out to join the night life and the second day they wanted to fly to Delos!

Here is Lydia Papadopoulou feeding them with grapes!

🙂

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The Enchanter

This is the second piece I made for the Mosaic Odysseys festival.

I don’t think it needs much explanation except that I see the sun as an enchanter…always luring me towards him. And how enchanting he always is, how beautiful he colours the sky when he rises and sets. I want to bask in his light and feel his warmth on my skin.

drawing enchanter

I made the sun with transparent coloured glass rounds, gold leaf glass and hand gilded metal leaf glass. I also gilded the board beforehand to emphasise the gold colour and add texture to the transparent rounds.

gilding the board

 

Detail before grout

Detail before grout

As well as using Italian piastrina smalti (the red and orange glass) I have also used a strong coloured glass tile very similar to piastrina smalti that was given to me by Elaine M Goodwin. She told me she had bought it from a tile company called Marble Mosaic Company based in Weston Super Mare in the 1980’s. She said they were an Italian family. I wanted to find out more so I got in touch with the company.

It is a fascinating story of the company’s mosaic history passed onto me by the Marble Mosaic Company director Stephen Maddalena. Stephen even came to do his first mosaic workshop with me where he told me more snippets of information and then sent me photos of the some of the company’s mosaic panels from the early 1900’s.

However I can’t do the story justice here so I will write another post about it soon with all the photos he sent me to show you!

So here is my finished piece.

The Enchanter (glass tile, gold leaf glass, millefiori, hand gilded metal leaf glass, glass rounds, metal leaf on board)

The Enchanter
(glass tile, gold leaf glass, millefiori, hand gilded metal leaf glass, glass rounds, metal leaf on board)

 

The Mosaic Odysseys Festival

The first exhibition will run for a week at the Hellenic Centre in London starting on Tuesday July 19th and finishing on Saturday July 23rd.

Meet the artists: Tuesday 19 July, 6.30pm-8.30pm.

Exhibiting artists –

Greek artists :

Ioannis Touliatos, Artemis Klitsi, Eftychia Finou, Vasso Spanou, Lydia Papadopoulos, Alexandros Bassadis,

UK artists:

Dugald MacInnes, Nathalie Vin, Aliyahgator, Arianna Puntin, and myself.

The festival will then move to Athens with an exhibition at the Michael Cacoyannis Foundation from September 9th to September 18th.

The final exhibition will be at the Muncipal Art Gallery of Mykonos, starting 23rd September and finishing 3rd October.

Have a look at our website here

Thank you to Artfinder for publicity and for sponsoring our printing costs!

Come back soon to read about the history of those vintage glass tiles

😉

Ten Years – Mosaic Exhibition

TEN YEARS

An exhibition of mosaic art by Kate Rattray

at Somerset Guild of Craftsmen, 23a Broad Street, Wells BA5 2DJ

9th May – 13th June 2016

PRIVATE VIEW – Friday 20th May 4-6pm

I am delighted to announce that I am presenting 10 years of my work at the new back room gallery at Somerset Guild of Craftsmen in  Wells.

Having worked in the art of mosaic for over 20 years now, the last 10 years has been the most productive for me. I have chosen works that explored my interest in folklore, weather, and the apocalypse, featuring birds, moths and butterflies.

Here are three from that apocalyptic year of 2012!

The Storm

The Storm

 

"Chorus at the Wake of the Sun" in sunlight

“Chorus at the Wake of the Sun”

 

Unfinished Symphony

Unfinished Symphony

And two of my latest pieces.

Black Swan

Black Swan

 

White Swan

White Swan

But much better to see them in the flesh amongst a total of 29 mosaics. And if you are interested I am running a mosaic workshop on 21st May in the gallery. See details and book here

Come and see!

🙂

 

 

 

The Four Seasons

The Four Seasons

I don’t know how relevant the four seasons are any more. Our climate is changing and maybe we won’t feel the difference between the seasons quite so much as we did when we were young. I’m writing this watching snow fall outside my window and with layers of clothes on as our gas central heating is broken once again this year! Well it feels like winter to me, but the signs in the garden are of spring, and who can say they haven’t seen fruit trees in blossom this year already? It all seems a bit of a mess now, one day warm the next cold, rain, rain, rain, and then oh good a little sunshine, nature is confused while the earth is trying to find equilibrium.

There was never a time that William Blake’s poem “The Sick Rose” was so significant.

But enough of my bemoaning as I am really here to give you a little joy and hope. Even if it means thinking about how it was, should have been, should be. Perfect seasons. Celebrating them for what they sometimes are, what they were, should be and maybe could be once again.

"Spring"

“Spring”

 

"Summer"

“Summer”

"Autumn"

“Autumn”

"Winter"

“Winter”

Click the links to buy these and see more.

🙂

New Year’s Eve photo-collage

Thank you to my customers and supporters this year and all the best for 2014!

2013-collage

🙂 x

Exhibitions for Somerset Art Weeks Festival 2013

If you are visiting Somerset this year for Somerset Art Weeks you can purchase my work at Somerset Crafts on the levels (venue number 95)
and at the Courthouse Gallery, Somerset Guild of Craftsmen, Somerton, (venue number 53).

And while you are in Somerset don’t forget to visit my exhibition “Many Faces of the Sun”, at Divas Café, Black Swan Arts Centre, Frome

Harvest-Poster

sGC

Many-Faces-of-the-Sun