The Robert Plant Guardian Bird of Relics

And so to the final one of the six birds! It’s Robert Plant, our wonderful living rock legend!

I thought it would be nice to have someone who is still alive as inspiration for a guardian bird. I chose Mr. Plant because of his connections with Glastonbury and the Abbey itself. In 2014 for the first time after many years of worshipping him as front man of Led Zeppelin I got to see him play live at Glastonbury Abbey with his new band the ‘Sensational Space Shifters’. I went with my partner and our two youngest (teenagers) . It was a fantastic concert, I love the mix of old and new songs, blending world music musicians and sounds  into the old Led Zepp rock songs such as ‘Whole Lotta Love’

But his most iconic song that seemed to fit the ‘religious theme’ was of course the much played and over played Stairway to Heaven. Coming from a family of rock music lovers, I found my younger teenage years progressed into punk (or was that regressed?) and then back to rock. (I won’t tell you about my crush on David Essex when I was 10, luckily Sting came along at just the right time to save me from embarrassment with my friends! Shh! Did I really just tell you that?)

The Four Symbols or Led Zeppelin 1V as it’s more commonly known (the album with the song Stairway to Heaven) was played frequently in my house and various tracks were played in the pub where I would spend my evenings after college. But the first time I really sat down and listened to the whole album was when I was 18.  It was a night after the pub with a friend of a friend who offered to put me up on his sofa to save me from a very long walk home in the dark. I had a tendency to listen to music but not the words in those days, so as we listened he handed me a bit of paper which had the words to the song written down. That piece of paper was a magical script , it was as if each word was made of gold and silver, I had treasure in my pocket and  I could also sing along!

The Robert Plant Guardian bird (cement structure, stained glass, hand gilded metal leaf glass, shell rounds, glass beads, hand painted eyes, wire)

The feather on the heart of the bird is Robert Plant’s symbol on the Four Symbols album. Each member of the band had a symbol, the feather was designed by Mr. Plant being based on the feather of Ma’at, the Egyptian goddess of justice and fairness that came from the mythical lost Continent of Mu.


Stairway to Heaven song relic snow globe

I made the stairway with marble cubes and gilded them in gold and metal leaf.

Here’s the bird in the exhibition…

I think I just made you a Saint, oh Mr. Robert Plant!


 Traces Revealed continues until January 28th 2018.

UPDATE: Now available to buy on my shop:








A Starling Called Ella

Listening to the radio today it came to my attention that it is Ella Fitzgerald’s centenary !  In a couple of weeks on 25 April she would have been 100 years old if she was still alive! Known as the Queen of Jazz, her version of Gershwin’s song “Summertime” has to be one of my favourite all time songs.

Ella collaborated with many great jazz musicians such as Louis Armstrong and Duke Ellington, and one rainy Sunday a few weeks ago I had a naming ceremony for my starlings whilst listening to some of these old greats.

Here’s Ella, she is helping me to advertise my sale in my Artfinder shop.  Some of the other jazz starlings are there too!

Duke and Dizzy are on my website here

Also if you use this code at checkout you will get a further £20 off your first order!

The sale ends this Monday 17th April.








Blow Your Trumpet King’s Hall!

I was delighted to be asked back to King’s Hall school in Taunton this year to help them make some more mosaics. Last year we made The Pelican for their courtyard garden, this time the art teacher asked me to design a trumpet, guitar and saxophone to brighten up their music department.
It was the same set up as last time with about seventeen Year 7’s in each group workshop, about 60 children over one and a half days.
I cut the designs out of MDF, having 8 sections that would later be fixed together with plates on the back. The instruments area about 80cm long.


We concentrated on the colour schemes and graduations and the andamento of the tessearae (direction of laying the tile to create a visual rhythm). We used some iridescent tiles in the guitar and some lovely sparkley tiles in the streams of music.
Here’s some photos of the progress, click through to see them properly:

The final mosaics look so great it made me want to pick up my guitar and perhaps learn how to play a trumpet or sax!
It’s a pity my photos don’t really do them justice as they were taken standing on a chair when they were drying on the table! I had to do a bit of background editing – but you get the picture…