St. Joseph of Arimathea Guardian Bird of Relics

Legend has it that Saint Joseph of Arimathea came to Glastonbury to spread the Christian faith with the two cruets full of Christ’s blood and sweat. When he arrived he walked up Wearyall (now Wirral) hill and on reaching the top he stopped and exclaimed something like “Since we be weary all here we will rest” (hence the name Wearyall hill). There he thrust his staff into the ground and it took root forming a hawthorn tree. The tree flowered twice a year, once in Spring and once at Christmas. It then suffered hundreds of years of people cutting off branches and carving names into the trunk but it still flowered every year. Later in the 17th century during the Civil war it was considered a superstitious relic and burnt by the Roundheads. However many cuttings were taken and another tree was planted in 1951.

The 1951 tree still stands but was vandalised in 2010, and as you see in true Glastonbury form, spiritual ideas live on by the continual ritual of tying prayer ribbons to it. Whether they are to worship Joseph, or the tree as a relic, or to find peace and a spiritual awakening remains to be seen.  People have different reasons. The ritual is associated with Celtic, Shaman and Tibetan Buddhist deities. In Glastonbury people explore and practice all of these religions, there many ways to find enlightenment!  I find it interesting how pre-Christian religions and paganism unite with Christianity so often, each borrowing stories from each other for their own beliefs.

Here’s another Glastonbury thorn at the Abbey in front of Saint Patrick’s chapel.

St. Joseph of Arimathea  is often symbolised with the two cruets of Christ’s blood and sweat that he collected when he hung from the cross. It is possible Joseph brought the cruets with him to Glastonbury as well as the holy grail, if the cruets weren’t themselves the original grail that is! (More about the holy grail later 😉 )

The Guardian Bird of Saint Joseph of Arimathea

Saint Joseph of Arimathea Guardian Bird of Relics (cement structure, stained glass, hand gilded metal leaf glass, glass cabochons, millefiori, shell rounds, hand painted eyes, wire, liquid leaf)

The heart bears a hawthorn leaf to represent Saint Joseph of Arimathea.

cruets (espresso cups, acrylic gems, resin, plastic, paint) Comparing the veneration of the sacred cruets with the glorification of the coffee culture.

This is the third guardian bird in my series of six. You can read about the King Arthur bird and the Queen Guinevere bird here

You can see this one plus the guardian birds of relics of 2 other saints, King Arthur and Queen Guinevere birds and a living legend rock star bird, and other pieces of work at Glastonbury Abbey’s exhibition Traces Revealed which continues until January 28th 2018.

🙂

 

 

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What do the four seasons, four birds, and a key have in common?

This school was a joy to work with. A small primary school of just over 100 pupils, every child was able to take part in making it.

I was sent lots of drawings from the children to use for a design and spent a day sketching possibilities and a final cartoon.  I spent a couple of days preparing sections so that we could get on with it on the two days in school allocated for the mosaic.

The sections were made indirect on sticky back plastic using pva glue.  I learnt my lesson using this method without the glue last year with another school. As the children touch the sticky back and rearrange tiles it stops sticking the tiles to the plastic which makes turning over and fixing to the board impossible. Last year I had to stick mesh to the back of the sections with tile cement before I could install them on the board.

Trying out this method of sticky back plus pva glue beforehand I found that once the section was transferred to the board and the sticky back plastic pulled off there was less glue residue left on the tiles than when using straight plastic, because the sticky back holds onto to it, so I’ll be using this method for my own projects in the future!

We had 12 sections with two children working on each section. I also had a good team of eager parent helpers that I couldn’t have done without!

The oldest children love cutting tiles!

After the sections were finished they were left to dry over night and the next day I was in early with the parent helpers to transfer them to the board. Then the children filled in the snow border and the background spaces.

The adhesive is a quick drying one which meant we didn’t have to wait long before taking off the plastic and grouting.

Et Voila!

The border is made up of the four class names … Spring, Summer, Autumn and Winter and in the corners are the 4 house names …Buzzards, Ospreys, Kestrels and Harriers. The school motif is the key…Keevil.

Keevil school … you are the greatest!

🙂

 

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Do Swallows Eat Olives?

This commission for a private customer was a delight to make. My clients wanted a mosaic for their wall outside their house. After initial discussions by email and a site visit I made three drawings and they chose this one.

As my clients didn’t want very strong or bright colours I chose to use stained glass as I could choose colours that were not as bold as smalti but fresher than vitreous glass.

I was also able to use a fair amount of gold smalti. As the gold smalti was thicker than the stained glass I decided to make it indirect on plastic. It would need a fairly deep bed of cement adhesive to make a flat surface. The flat surface would make it easier to clean off any algae that might collect on it over the years.

Once the leaves and birds were complete I received my luscious order of gold!

There is always so much satisfaction when placing the last piece!

I used sand to stop the gaps so I could grout from the other side. Here you can also see the electrical cable flex I used as a temporary edge while I filled the mosaic with cement adhesive. (There’s always a use for broken things one day)

 

Thick bed of adhesive and levelling before pushing boards firmly on the top. (And piling on the weight to ensure a good hold)

I made a sandwich of light weight cement boards with adhesive in the middle (my partner called it a custard cream) not only for strength but also because the boards were in two halfs; the first layed horizontally and the second vertically.

However it was still very heavy!

After a few days drying it was turned over and the plastic pulled off.

The trunk was made as a separate piece.

Thought I’d learnt my lesson from the last one I made on plastic and I used a weaker pva glue than then, but it was still a devil to get clean.

Brushed out the sand and grouted.

And gazed at the gold…

I had some help with installing it on the wall.

Final touches glueing olives over the screws.

My two boys doing a few hours work for a change!!!

The Olive Tree (2.12m height x 1.20m wide) (stained glass, ceramic tile. marble, gold leaf smalti glass)

Details

 

One happy customer

🙂

One happy me

🙂

 

 

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New Designs – It’s not what it seems!

I have various different projects on the go at the moment…a large commission, bird baths for the Bishops Palace garden festival in June and some new work for an exhibition at Glastonbury Abbey in September. All exciting stuff that is keeping my left and right brain buzzing and pinging.

During the in-between times I like to  experiment with various other mediums such as animation and digital photo manipulation. Some of you will remember my designs that I made into scarves a few years ago. This time I’ve made some more designs from photos of my mosaics and uploaded them to Redbubble where they are printed onto clothes, wall art, iphone cases, stationary and home-ware. I’ve picked out some favourites to show you but please visit the shop to see more of the products that are available with these designs.

The Golden Leaves this time is the only one without photo manipulation although the scarf is tiled with the photo on the Redbubble software. Please click the pictures to see more or purchase.

 

Golden Leaves Scarf

 

Starlings in the Wind Dress

 

Sunset Swirls chiffon top

 

Darkness is Gathering in a Swirl cushion

 

Leaf Swirl notebook

 

Fish Waves acrylic block

 

Spinning Moon Moths metal print

 

 

Wake of the Chorus drawstring bag

 

Whirl in a Whirlwind iphone case

Now I MUST get into my work-shed and fondle some glass!

😉

 

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Bah Humbug! It’s (almost) that time again!

You might remember last year I made some gilded glass brooches, bees (Bah Humbug Bees) and fish (Fish for Funky Punks). They were sold so quickly from various outlets, so this year I thought I would make some more. This time I have redesigned them so they are more refined and they are made of acrylic instead of glass. The acrylic is etched so I can fill in the lines to represent the grout lines, and like the glass ones they are gilded using  variegated metal leaf.

Bah Humbug bee brooch

Bah Humbug bee brooch

Ocean Gem fish brooch

Ocean Gem fish brooch

 

 

 

 

 

 

 

 

I have also made some more golden leaf coasters, these are gilded glass on wood. These have also been refined by making them on a thinner plywood with a felt fabric underneath, now perfect for any table!

Golden Leaf coasters

Golden Leaf coasters

You can purchase all these items online from my Folksy shop (or click the pics) or from the Somerset Guild of Craftsmen’s new shop in Wells and from Somerset Crafts Gallery, Avalon Marshes Centre, Westhay.

Feathers and Leaves

…and flowers… A collection of new pieces. Please contact me if you are interested in any garden paving stones or bird baths or wish to commission a piece for you garden or home. Click the links to buy feather pictures.

Golden Leaf Bird Bath (sold)

Golden Leaf Bird Bath -hand gilded glass (sold)

Mosaic Print Designer Scarfs

I have been thinking about transferring mosaic designs onto fabric for years, longer than the big fashion companies such as Dolce & Gabbana! The trouble is they beat me to it!

But seriously I know I will never get as big or famous as they are, (who would want to be that rich and famous??) and I am just doing this as an experiment and through a desire to put down my nippers for a while and do something different. (When I say “for a while”, don’t worry, I am already picking them up again!)

The designs are digitally printed onto fabric. For my scarves I have chosen to use a silky polyester as it drapes beautifully and the colour is bright crisp and sharp.

This is my Golden Leaves Scarf

Golden Leaves Scarf

Golden Leaves Scarf

The design came from a photo of the mosaic leaf candle holders I made last year taken on a bed of autumn leaves, which I have made into a mirror design for the fabric.

I got the photo printed as greeting cards

leaves-card-folksy1

I had a tie commission with this design too…

tie

Then I made the Dawn Breakers Bird Scarf using a design I took from a mosaic I made called “Dawn Breakers”

Dawn Breakers scarf

Dawn Breakers Bird Scarf

dawnbreakers

Dawn Breakers

 

And this one is  my Midnight Sun Scarf using part one of my mosaicDisappearing Sun

Midnight sun

Midnight Sun Scarf

Part 1 of Disappearing Sun

If you want to see more pictures including some on my model, have a look by clicking the pictures or visit my Folksy Shop or my Etsy Shop

I also have cards and prints available of Spirit of the Leaves part 3

spirit folksy

Spirit of the Leaves (part 3)

Very popular at this time of year when the leaves are blowing off the trees and turning into birds!

😉